Sanded Steps, Standing Over Stones - Contextualising Information
Sanded Steps, Standing Over Stones is a live art work that rethinks ‘trace’ and ‘event’ in historical––and ongoing aporetic––situations that become self-effacing and unhappening. It uses self-effacing gestures such as the sweeping of sand, and audience participation in enunciating found-words from texts and slogans, to trace cultural revolutions and social demonstrations from May ’68 to Occupy––and asks whether such events insist or desist in happening today.
This item contains information which contextualises the central outputs:
1. Proposal for performance at Embodied Cartographies Symposium (Bath, 2017).
2. Event programme for Embodied Cartographies Symposium (Bath, 2017).
3. Event poster for Resting, Walking, Place-Making: How Do We Talk About Invisible, Liminal Spaces in Art? (Montreal, 2018). Courtesy of Victoria Stanton. Used with permission.
4. Programme for Resting, Walking, Place-Making: How Do We Talk About Invisible, Liminal Spaces in Art? (Montreal, 2018). Courtesy of Victoria Stanton. Used with permission.
5. A bibliography of works consulted for the Sanded Steps, Standing Over Stones research project.
The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.
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contemporary artpolitical artvisual culturelive artperformance artperformativeparticipatory arttraceerasureeventArtPerformance and Installation ArtArt Theory and Criticism not elsewhere classifiedPolitical Theory and Political PhilosophyArt history, theory and criticism not elsewhere classifiedPerformance artPolitical theory and political philosophy
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