Sanded Steps, Standing Over Stones - Embodied Cartographies - Bath, 2017

Sanded Steps, Standing Over Stones is a live art work that rethinks ‘trace’ and ‘event’ in historical––and ongoing aporetic––situations that become self-effacing and unhappening. It uses self-effacing gestures such as the sweeping of sand, and audience participation in enunciating found-words from texts and slogans, to trace cultural revolutions and social demonstrations from May ’68 to Occupy––and asks whether such events insist or desist in happening today.