Ceramics and the haptic - a case study sited in Worcester Cathedral (PhD Thesis) - Images of ceramics
This collection contains images of ceramics produced as part of the thesis, Ceramics and the haptic - a case study sited in Worcester Cathedral, by doctoral candidate Pippa Galpin.
Abstract: This practice-based research investigates ceramics and the haptic in relation to place, through a case study of Worcester Cathedral. A two-year residency provided an analytical frame within which the practice was developed, illuminating aspects of the Cathedral. Using clay as an interface to explore the space around me, clay became an arena in which an activity could take place, resulting in a range of ceramic works. The thesis was built on contemporary contextual ceramic discourse pertaining to the haptic, and the idea that this could be expanded through an inquiry into a specific space. On a personal level a sacred space provided a catalyst for themes to do with connection, contact and communication. The research led to the formulation of a method of interpreting the space through a haptic engagement with ceramics, underpinned in part by Paul Rodaway's model of the scope of haptic systems and Bachelard's phenomenological approach to the experience of space. The subjective aspect of the practice became a component of the research, and an on-going review was carried out via a reflection on comparative practices and audience participation. Serendipitously, the residency found an unexpected parallel via a mutual interpretation with a musician. The research discovered new ways for ceramicists to explore and describe the experience of being in a sacred space by utilising what might be called a haptic language. An unexpected result for the project was the development of a studio residency as a form of research, and the collapsing of the separation between making-as-doing and doing-as-thinking.
The digital images of ceramics are as follows:
1. 'Haptic Landscape' Blue Triptych
2. 'Haptic Landscape' Blue Triptych, Detail
3. 'Haptic Landscape', 7-Piece Frieze
4. 'Reading of the Crypt Floor'
5. 'Reading of the Crypt Floor', Detail
6. Unfired fragment
7. 'Haptic Landscape', 7-Piece Frieze, Detail
8. 'Haptic Landscape' Red Triptych
9. 'Haptic Landscape' Red Triptych, Detail
10. Collection of three-dimensional ceramic prints
11. Close-up of one of the three-dimensional ceramic prints
12. Ceramic panel, depicting two people facing each other
13. Ceramic panel, depicting two people facing each other
14. Ceramic piece taken from the sarcophagus lid
15. Three-dimensional ceramic impression
16. Ceramic sculptural cast taken from a sarcophagus
17. Unfired ceramic sculptural cast taken from a sarcophagus
The thesis is linked in the reference field below.