Embodying the Eerie: An Investigation of the Eerie as a Dramaturgical Concept in Processes of Directing Devised Performance (PhD Thesis): [Appendix A 1] <i>The Strange Geometry of Time</i> (2018) - Performance footage

<p dir="ltr">This item contains appendices relating to the Phd thesis, <i>Embodying the Eerie: An investigation of the Eerie as a Dramaturgical Concept in Processes of Directing Devised Performance</i>, by doctoral candidate Mary Steadman.</p><p dir="ltr"><i>The Strange Geometry of Time</i> is a performance that explores the eeriness of place, through processes that explore 'eerie materialities', 'agential objects', as they affect change on the 'ghostly figures' that haunt theatrical space. The production was photographed at the University Theatre, Bath Spa University, in November 2018.</p><p dir="ltr">Concept and Direction by Mary Steadman</p><p dir="ltr">Devised by Mary Steadman and Leeza Jessie</p><p dir="ltr">Lighting // Bryan Wallbridge</p><p dir="ltr">Costume // Saffron Savage</p><p dir="ltr">Sound design // Helen Roberts</p><p dir="ltr">Scenography // Mary Steadman</p><p dir="ltr">Performers // Leeza Jessie, Helen Roberts, Mary Steadman</p><p dir="ltr">Photography // Stephan Beese</p><p dir="ltr">Filmed with permission from Mary Steadman, by Alice Buckley and Rory Buckley</p><p><br></p>