"These signs forerun the death or fall of kings": renegotiating masculinities and centrality in Shakespeare's second tetralogy through adaptation, direction and performance (PhD Thesis): [Appendix 3.5] The Breach (2019) - Rehearsal and Production Photographs

<p dir="ltr">This item contains appendices content relating to the PhD thesis, <i>"These signs forerun the death or fall of kings": renegotiating masculinities and centrality in Shakespeare's second tetralogy through adaptation, direction and performance, </i>by doctoral candidate CJ Turner-McMullan.</p><p dir="ltr"><i>The Breach </i>is a post-MeToo adaptation of William Shakespeare's <i>Henry V</i> disrupting the gender- and class-based violence in representations of the Siege of Harfleur and the "wooing scene" prominent in post-1980's performances of the play. The production was photographed during a performance at The Rondo Theatre, Bath in June 2019.</p><p dir="ltr"><i>Adapted and directed by CJ Turner-McMullan</i></p><p dir="ltr"><i>Assistant Direction and Fight Direction // Russell Eccleston</i></p><p dir="ltr"><i>Assistant Fight Direction // Tiffany Rhodes</i></p><p dir="ltr"><i>Lighting Design // Joe Samuels</i></p><p dir="ltr"><i>Sound Design // Finn MacNeil</i></p><p dir="ltr"><i>Composition // Finn MacNeil and Edward Terry</i></p><p dir="ltr"><i>Dialect Coach // Nico </i><i>Herbreteau</i></p><p dir="ltr"><i>Assistant Set and Costume Design // Patrick James Withey</i></p><p dir="ltr"><i>Touring Operation // Alex Latham and Emma de Cruce</i></p><p dir="ltr"><i>Performers // Matilda Dickinson, Alexandra Ricou, Charlotte McEvoy, Tiffany Rhodes, Kian Keanu Pollard, Patrick James Withey, Toby Gibbs, Luke Hardwell</i></p><p><br></p><p dir="ltr">Reproduced with permission from CJ Turner-McMullan and Joe Samuels (photographers).</p><p dir="ltr"><b>All media is copyright restricted. No unauthorised use or distribution without consent of the author. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b></p>