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Code as Prosthesis is a practice-led research project which aims to understand how generating music by means of computer algorithms relates to the traditional and inescapable materialities of musical practice. The research was funded by means of an Automation Fellowship awarded by the Southwest Creative Technology Network (SWCTN). Dissemination of the findings took place through the use of an innovative interactive website (codeasprosthesis.net), as well as through the International Journal of Creative Media Research (April, 2020).
This item contains a link to the article in The International Journal of Creative Media Research.