The material referenced in this item is located externally at the above linked website, and can be viewed in full by accessing via the provided link.
Code as Prosthesis is a practice-led research project which aims to understand how generating music by means of computer algorithms relates to the traditional and inescapable materialities of musical practice. The research was funded by means of an Automation Fellowship awarded by the Southwest Creative Technology Network (SWCTN). Dissemination of the findings took place through the use of an innovative interactive website (codeasprosthesis.net), as well as through the International Journal of Creative Media Research (April, 2020).
This item contains the link to the output website. Clicking on the main 'Sphere' of the website will bring up additional spheres which allow for navigation around the various strands of research from the project, including Materiality, Virtuosity, Unthought, Spirituality, and Prosthesis.