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Commissioned by Animate Projects and funded by a Wellcome Trust Large Arts Award, The Signal and the Noise was developed during collaborative research with biomedical scientist Dr Darren Logan at Sanger Institute, Cambridge. In the film I address the following question: how can I produce a Sci/Art work that moves beyond data visualisation and employs fiction as an operational tool that enhances the collaborative process, brings recent developments in genetic technologies into view and generates discussion and debate amongst diverse audiences?