TY - DATA T1 - Sweet Waters live phase documentation PY - 2020/06/16 AU - Richard S. White UR - https://data.bathspa.ac.uk/articles/dataset/Sweet_Waters_live_phase_documentation/12003792 DO - 10.17870/bathspa.12003792 L4 - https://ndownloader.figshare.com/files/22052445 L4 - https://ndownloader.figshare.com/files/22052448 L4 - https://ndownloader.figshare.com/files/22052451 L4 - https://ndownloader.figshare.com/files/22052460 L4 - https://ndownloader.figshare.com/files/22052463 L4 - https://ndownloader.figshare.com/files/22052466 L4 - https://ndownloader.figshare.com/files/22052469 L4 - https://ndownloader.figshare.com/files/22052472 L4 - https://ndownloader.figshare.com/files/22052478 L4 - https://ndownloader.figshare.com/files/22052481 L4 - https://ndownloader.figshare.com/files/22052490 L4 - https://ndownloader.figshare.com/files/22052493 L4 - https://ndownloader.figshare.com/files/22052496 L4 - https://ndownloader.figshare.com/files/22052499 L4 - https://ndownloader.figshare.com/files/22052502 L4 - https://ndownloader.figshare.com/files/22052505 L4 - https://ndownloader.figshare.com/files/22055232 KW - walking arts KW - heritage KW - legacies of slaveownership KW - walking-with KW - research-creation KW - Heritage and Cultural Conservation KW - Performance and Installation Art N2 - Documentation of the walking art projectSWEET WATERS 2016-17: sense-ing legacies of slave-ownership in Bath and along the River AvonProject Outline: Developed over an 18 month period involving over 50 walkers and many hundreds online, Sweet Waters was part of Richard White’s ongoing investigation of walking arts as social justice intervention, developing tactics for articulating and materialising corporeal experience and affective resonance. The project resonates with UNESCO World Heritage programmes, specifically attending to legacies of slave-ownership. The project was commissioned for Bath Festival Fringe, funded by Arts Council England with support from Bath Spa University, Festival of Nature and Fringe Arts Bath. An installation at a heritage site, Saltford Brass Mill, followed as part of Museums Week and Journey to Justice Bristol. Participation was extended using social media with trails generated live and aggregated. Referencing body fluids and the memory of water folded in an understanding of the water cycle, the project generates insights and observations on volatile and porous bodies (Longhurst 2001), the power of things and memory making practices (Micieli-Voutsinas 2016; Bennett 2010).This item includes documentary images captured by the author and by walkers, a screen grab of the aggregated social media trails and a podcast from Avon Stories as sound track to a slide show of documentary images. The podcast, Avon Stories 10 was recorded with Sarah Connelly during one of the walks, reproduced here with permission, details below.website/blog: http://www.walknowtracks.co.uk/sweet-waters.htmlAggregated Social media trail via Social Hikinghttp://www.shareyouradventure.com/map/73087/walknowlive/Sweet-Waters-June17Sweet Waters videos also available here https://vimeo.com/showcase/548893Avon Storieshttps://itunes.apple.com/gb/podcast/10-a-sweet-waters-art-walk-with-richard-white/id1244393926?i=1000390796360&mt=2From Avon StoriesA podcast and art project by Sarah Connolly8 Aug 2017A Sweet Waters art-walk with Richard Whitehttps://avonstories.com/2017/08/08/avon-stories-10-richard-white/ ER - TY - DATA T1 - Honouring Esther walks live phase documentation PY - 2020/06/16 AU - Richard S. White UR - https://data.bathspa.ac.uk/articles/dataset/Honouring_Esther_walks_live_phase_documentation/11989161 DO - 10.17870/bathspa.11989161 L4 - https://ndownloader.figshare.com/files/22020045 L4 - https://ndownloader.figshare.com/files/22020051 L4 - https://ndownloader.figshare.com/files/22020054 L4 - https://ndownloader.figshare.com/files/22020069 L4 - https://ndownloader.figshare.com/files/22020075 L4 - https://ndownloader.figshare.com/files/22020093 L4 - https://ndownloader.figshare.com/files/22020111 L4 - https://ndownloader.figshare.com/files/22020126 L4 - https://ndownloader.figshare.com/files/22020141 L4 - https://ndownloader.figshare.com/files/22020147 L4 - https://ndownloader.figshare.com/files/22020153 L4 - https://ndownloader.figshare.com/files/22020156 L4 - https://ndownloader.figshare.com/files/22020159 L4 - https://ndownloader.figshare.com/files/22020162 L4 - https://ndownloader.figshare.com/files/22020165 L4 - https://ndownloader.figshare.com/files/22020168 L4 - https://ndownloader.figshare.com/files/22020171 L4 - https://ndownloader.figshare.com/files/22020174 L4 - https://ndownloader.figshare.com/files/22020177 L4 - https://ndownloader.figshare.com/files/22020180 L4 - https://ndownloader.figshare.com/files/22020186 L4 - https://ndownloader.figshare.com/files/22020201 L4 - https://ndownloader.figshare.com/files/22020213 L4 - https://ndownloader.figshare.com/files/22020216 L4 - https://ndownloader.figshare.com/files/22020222 L4 - https://ndownloader.figshare.com/files/22020225 L4 - https://ndownloader.figshare.com/files/22020246 L4 - https://ndownloader.figshare.com/files/22020255 KW - walking arts KW - holocaust KW - heritage KW - Heritage and Cultural Conservation N2 - Honouring Esther. Documentary materials from the two cycles of walks, Somerset, UK 2015 and Lower Saxony, Germany 2016.Project Outline: The route of a Nazi Death March traced and transposed to Somerset, returned and re-traced in Lower Saxony, Germany. Experimentation with media and juxtaposed registers of walking forms part of Richard White’s investigation of walking art as social justice intervention. Social media. Curated media. Somatic activity. Honouring Esther accessed formal and informal survivor testimony of a Nazi death march.This item contains documentation of the live phase of the walks:In this item: A selection of briefings and promotional material and images documenting the live phase of the walking arts project 'Honouring Esther' in Germany and in England. Sample of testimony used on the walk. Images from the live relay of the progress of the walk in Germany and related social media trail to Bath Spa University mediawall (Feb 2016). Further images show route development including the 'entwined' routes created through the transposition of the Death March route from Germany to Somerset and the establishment of 10 stopping places at the point of intersection.Project Outline: The route of a Nazi Death March traced and transposed to Somerset, returned and re-traced in Lower Saxony, Germany. Experimentation with media and juxtaposed registers of walking forms part of Richard White’s investigation of walking art as social justice intervention. Social media. Curated media. Somatic activity. Honouring Esther accessed formal and informal survivor testimony of a Nazi death march.Project website: https://forcedwalks.wordpress.com/Aggregated Social media trails via Social Hiking:UK http://www.shareyouradventure.com/map/67290/walknowlive/Honouring-Esther-Somerset-2015Germany http://www.shareyouradventure.com/map/62660/walknowlive/Honouring-Esther-Germany-2016Maps from the Social Hiking website used here with attribution: http://www.shareyouradventure.com/ ER - TY - DATA T1 - Honouring Esther/Sweet Waters Walkers notebooks PY - 2020/06/16 AU - Richard S. White UR - https://data.bathspa.ac.uk/articles/dataset/Honouring_Esther_Sweet_Waters_Walkers_notebooks/11989074 DO - 10.17870/bathspa.11989074.v1 L4 - https://ndownloader.figshare.com/files/22019376 L4 - https://ndownloader.figshare.com/files/22019379 L4 - https://ndownloader.figshare.com/files/22019382 L4 - https://ndownloader.figshare.com/files/22019394 L4 - https://ndownloader.figshare.com/files/22019397 L4 - https://ndownloader.figshare.com/files/22019400 L4 - https://ndownloader.figshare.com/files/22019403 L4 - https://ndownloader.figshare.com/files/22019406 L4 - https://ndownloader.figshare.com/files/22019409 L4 - https://ndownloader.figshare.com/files/22019412 L4 - https://ndownloader.figshare.com/files/22019415 L4 - https://ndownloader.figshare.com/files/22019418 L4 - https://ndownloader.figshare.com/files/22019421 L4 - https://ndownloader.figshare.com/files/22019424 L4 - https://ndownloader.figshare.com/files/22019427 L4 - https://ndownloader.figshare.com/files/22019430 L4 - https://ndownloader.figshare.com/files/22019433 L4 - https://ndownloader.figshare.com/files/22019436 L4 - https://ndownloader.figshare.com/files/22019439 L4 - https://ndownloader.figshare.com/files/22019442 L4 - https://ndownloader.figshare.com/files/22019445 L4 - https://ndownloader.figshare.com/files/22019448 L4 - https://ndownloader.figshare.com/files/22019454 L4 - https://ndownloader.figshare.com/files/22019457 L4 - https://ndownloader.figshare.com/files/22019460 L4 - https://ndownloader.figshare.com/files/22019463 L4 - https://ndownloader.figshare.com/files/22019466 L4 - https://ndownloader.figshare.com/files/22019469 L4 - https://ndownloader.figshare.com/files/22019472 L4 - https://ndownloader.figshare.com/files/22019475 L4 - https://ndownloader.figshare.com/files/22019478 L4 - https://ndownloader.figshare.com/files/22019481 L4 - https://ndownloader.figshare.com/files/22019484 L4 - https://ndownloader.figshare.com/files/22019487 L4 - https://ndownloader.figshare.com/files/22019490 L4 - https://ndownloader.figshare.com/files/22019493 L4 - https://ndownloader.figshare.com/files/22019496 L4 - https://ndownloader.figshare.com/files/22019499 L4 - https://ndownloader.figshare.com/files/22019502 L4 - https://ndownloader.figshare.com/files/22019505 L4 - https://ndownloader.figshare.com/files/22019583 L4 - https://ndownloader.figshare.com/files/22233516 L4 - https://ndownloader.figshare.com/files/22233573 KW - notebooks KW - materialisation KW - participation KW - Performance and Installation Art KW - Heritage and Cultural Conservation KW - Performance art KW - Heritage and cultural conservation N2 - Sample walker notebooks from the two cycles of participatory performative walks. Walkers on the Honouring Esther project held the same notebook throughout the walk. The notebooks on the Sweet Waters walks were rotated at each walk. Walkers were invited to record thoughts, observations, collect items and make rubbings at each intervention in the walk. The notebooks were displayed at the exhibition/installationsAdditional content and project orientation Honouring EstherProject website: https://forcedwalks.wordpress.com/Aggregated Social media trails via Social Hiking:UK http://www.shareyouradventure.com/map/67290/walknowlive/Honouring-Esther-Somerset-2015Germany http://www.shareyouradventure.com/map/62660/walknowlive/Honouring-Esther-Germany-2016Sweet Waters:website/blog: http://www.walknowtracks.co.uk/sweet-waters.htmlAggregated Social media trail via Social Hikinghttp://www.shareyouradventure.com/map/73087/walknowlive/Sweet-Waters-June17Vimeo folder: https://vimeo.com/album/5488933 ER - TY - DATA T1 - Sweet Waters additional Installation media PY - 2020/06/16 AU - Richard S. White UR - https://data.bathspa.ac.uk/articles/media/Sweet_Waters_additional_Installation_media/12003441 DO - 10.17870/bathspa.12003441 L4 - https://ndownloader.figshare.com/files/22051965 L4 - https://ndownloader.figshare.com/files/22051968 L4 - https://ndownloader.figshare.com/files/22051971 L4 - https://ndownloader.figshare.com/files/22051977 KW - installation KW - legacies of slaveownership KW - Bath KW - walking arts KW - Heritage and Cultural Conservation KW - Performance and Installation Art N2 - SWEET WATERS 2016-17: sense-ing legacies of slave-ownership in Bath and along the River AvonAdditional authored films and soundscapes generated for installation not linked directly into the existing text and in this collection as separate items.This item: Installation media produced using walkers social media posting and Richard White's field recordings and other documentation from the cycle of walks. The work was produced initially for the Sweet Waters:Soundings installation at Saltford Brass Mill in 2017 and used in subsequent presentations. The media in this item is a further manifestation of the walk experience as part of a site specific installation, intended to be projected onto uneven and distorting surfaces. Audio files are Richard White's reading of letters of contract to the captains of slave-trading ships leaving Bristol with goods produced along the route of the Sweet Waters walks and some observation by the cousin of William Beckford making 'picturesque' observations of the captured and enslaved people he owned. The original letters to the ships captain are held in Bristol Archives and used with permission. Beckfords book, 'A Descriptive Account of the Island of Jamaica (1790) is available online https://catalog.hathitrust.org/Record/004895993Project Outline: Developed over an 18 month period involving over 50 walkers and many hundreds online, Sweet Waters was part of Richard White’s ongoing investigation of walking arts as social justice intervention, developing tactics for articulating and materialising corporeal experience and affective resonance. The project resonates with UNESCO World Heritage programmes, specifically attending to legacies of slave-ownership. The project was commissioned for Bath Festival Fringe, funded by Arts Council England with support from Bath Spa University, Festival of Nature and Fringe Arts Bath. An installation at a heritage site, Saltford Brass Mill, followed as part of Museums Week and Journey to Justice Bristol. Participation was extended using social media with trails generated live and aggregated. Referencing body fluids and the memory of water folded in an understanding of the water cycle, the project generates insights and observations on volatile and porous bodies (Longhurst 2001), the power of things and memory making practices (Micieli-Voutsinas 2016; Bennett 2010).website/blog: http://www.walknowtracks.co.uk/sweet-waters.htmlAggregated Social media trail via Social Hikinghttp://www.shareyouradventure.com/map/73087/walknowlive/Sweet-Waters-June17Sweet Waters videos also available at Vimeo folder: https://vimeo.com/album/5488933 ER - TY - DATA T1 - Honouring Esther installation film 'by the skin of our teeth' PY - 2020/06/16 AU - Richard S. White UR - https://data.bathspa.ac.uk/articles/media/Honouring_Esther_installation_film_by_the_skin_of_our_teeth_/12110853 DO - 10.17870/bathspa.12110853 L4 - https://ndownloader.figshare.com/files/22271061 KW - walking arts KW - holocaust KW - death march KW - Performance and Installation Art KW - Heritage and Cultural Conservation N2 - Short installation film produced using field footage and Esther Brunstein's testimony. The focus is on marshland near the Bergen Belsen death camp where death march victim's bodies were dumped. Running time 3.34, presented on continuous loop.Exhibited at 44AD Art Space 2017.Honouring Esther: Two walks each lasting two days in Somerset, England and Lower Saxony, Germany. The line of a Nazi Death March transposed, returned and retraced, working with the testimony of human rights activist and Holocaust survivor, Esther Brunstein. The walks took place as Germany publicly welcomed refugees crossing the fields of Eastern Europe. Devised, curated and hosted with artist, Lorna Brunstein, Esther’s daughter. Both cycles of walks ended with an exhibition/installation. ER - TY - DATA T1 - Honouring Esther, installation film Exile(2) PY - 2020/06/16 AU - Richard S. White UR - https://data.bathspa.ac.uk/articles/media/Honouring_Esther_installation_film_Exile_2_/12115722 DO - 10.17870/bathspa.12115722 L4 - https://ndownloader.figshare.com/files/22279923 KW - walking arts KW - installation KW - holocaust KW - memory KW - Performance and Installation Art KW - Heritage and Cultural Conservation N2 - Installation film produced following the first Honouring Esther walk in Somerset, and developed with media gathered on the walks in Germany. Exhibited at 44AD Art Space 2015 and 2017. Running time 1.58Exile was the theme for one of the curated interventions.Media used includes social media captured and shared by walkers.Honouring Esther: Two walks each lasting two days in Somerset, England and Lower Saxony, Germany. The line of a Nazi Death March transposed, returned and retraced, working with the testimony of human rights activist and Holocaust survivor, Esther Brunstein. The walks took place as Germany publicly welcomed refugees crossing the fields of Eastern Europe. Devised, curated and hosted with artist, Lorna Brunstein, Esther’s daughter. Both cycles of walks ended with an exhibition/installation. ER - TY - DATA T1 - Sweet Waters, installation spoken word performance: Don't Mention the Sugar PY - 2020/06/16 AU - Richard S. White UR - https://data.bathspa.ac.uk/articles/media/Sweet_Waters_installation_spoken_word_performance_Don_t_Mention_the_Sugar/12005835 DO - 10.17870/bathspa.12005835 L4 - https://ndownloader.figshare.com/files/22055865 KW - spoken word KW - performance KW - walking art KW - legacies of slaveownership KW - Heritage and Cultural Conservation KW - Performance and Installation Art N2 - Spoken work performance by the author: 3.24Captured on mobile device. On screen text of the piece accompanies the recorded performance. A personal reflection on the cycle of walks. Sweet Waters: sense-ing legacies of slave-ownership in Bath and along the River Avon (2016-17) An eight-day cycle of walks and creative dialogues, walking-with cycles of water, life and trade. Presented as part of the Festival of Nature and Bath Festival Fringe 2017, Sweet Waters sought to reveal reluctant heritage in the UNESCO designated World Heritage Site of Bath (UK) through attending to the legacies of slave-ownership in a city and region where those legacies have been obscured and disregarded. The cycle concluded with an installation, Sweet Waters: Soundings, where this piece was performed. ER - TY - DATA T1 - Sweet Waters, installation film: Riverwater PY - 2020/06/16 AU - Richard S. White UR - https://data.bathspa.ac.uk/articles/media/Sweet_Waters_installation_film_Riverwater/12005841 DO - 10.17870/bathspa.12005841 L4 - https://ndownloader.figshare.com/files/22055886 KW - walking arts KW - installation KW - film KW - legacies of slave-ownership KW - Heritage and Cultural Conservation KW - Performance and Installation Art N2 - Installation film working with field footage, body camera and social media contributed by walkers. Running time 5.28Intended to be projected on a random loop on uneven and distorting surfaces. This film focusses primarily on the walk down the River Avon. Sweet Waters: sense-ing legacies of slave-ownership in Bath and along the River Avon (2016-17) An eight-day cycle of walks and creative dialogues, walking-with cycles of water, life and trade. Presented as part of the Festival of Nature and Bath Festival Fringe 2017, Sweet Waters sought to reveal reluctant heritage in the UNESCO designated World Heritage Site of Bath (UK) through attending to the legacies of slave-ownership in a city and region where those legacies have been obscured and disregarded. The cycle concluded with an installation, Sweet Waters: Soundings. ER - TY - DATA T1 - Honouring Esther, installation film: Indifference PY - 2020/06/16 AU - Richard S. White UR - https://data.bathspa.ac.uk/articles/media/Honouring_Esther_installation_film_Indifference/12005856 DO - 10.17870/bathspa.12005856 L4 - https://ndownloader.figshare.com/files/22055898 KW - walking art KW - holocaust KW - installation KW - death march KW - memorialisation KW - Heritage and Cultural Conservation KW - Performance and Installation Art N2 - Installation film 3.20The film was made using field recordings and social media contributed by the walkers. The films explores the experience of the Honouring Esther walks in Somerset in 2015.The films is intended to be shown in a randomised loop with other Honouring Esther films and projected on uneven walls and distorting surfaces.Indifference was the theme for one of the curated interventions.Honouring Esther: Two walks each lasting two days in Somerset, England and Lower Saxony, Germany. The line of a Nazi Death March transposed, returned and retraced, working with the testimony of human rights activist and Holocaust survivor, Esther Brunstein. The walks took place as Germany publicly welcomed refugees crossing the fields of Eastern Europe. Devised, curated and hosted with artist, Lorna Brunstein, Esther’s daughter. Both cycles of walks ended with an exhibition/installation. ER - TY - DATA T1 - Honouring Esther/Sweet Waters video walkthrough of installation at Corsham Court PY - 2020/06/16 AU - Richard S. White UR - https://data.bathspa.ac.uk/articles/media/Honouring_Esther_Sweet_Waters_video_walkthrough_of_installation_at_Corsham_Court/12005859 DO - 10.17870/bathspa.12005859 L4 - https://ndownloader.figshare.com/files/22055913 KW - walking arts KW - installation KW - media KW - Heritage and Cultural Conservation KW - Performance and Installation Art N2 - Walkthrough of installation (Dis)enchantments and Perambulations 5:14PhD show featuring work from Honouring Esther and Sweet Waters at Corsham Court 2019 ER - TY - DATA T1 - Sweet Waters, installation film: Seawater PY - 2020/06/16 AU - Richard S. White UR - https://data.bathspa.ac.uk/articles/media/Sweet_Waters_installation_film_Seawater/12005715 DO - 10.17870/bathspa.12005715 L4 - https://ndownloader.figshare.com/files/22055760 KW - walking art KW - installation KW - film KW - legacies of slaveownership KW - Heritage and Cultural Conservation KW - Performance and Installation Art N2 - Installation film 4.33projected in random loopdesigned to be shown on uneven and distorting surfacesThe film was made using field recordings, a body camera and media shared by walkers. It focusses primarily on a single day's walking in Bath. Sweet Waters: sense-ing legacies of slave-ownership in Bath and along the River Avon (2016-17) An eight-day cycle of walks and creative dialogues, walking-with cycles of water, life and trade. Presented as part of the Festival of Nature and Bath Festival Fringe 2017, Sweet Waters sought to reveal reluctant heritage in the UNESCO designated World Heritage Site of Bath (UK) through attending to the legacies of slave-ownership in a city and region where those legacies have been obscured and disregarded. The cycle concluded with an installation, Sweet Waters: Soundings. ER - TY - DATA T1 - Sweet Waters: spoken word response, An Awful Arrow PY - 2020/06/16 AU - Richard S. White UR - https://data.bathspa.ac.uk/articles/media/Sweet_Waters_spoken_word_response_An_Awful_Arrow/12005661 DO - 10.17870/bathspa.12005661 L4 - https://ndownloader.figshare.com/files/22055679 KW - walking arts KW - geolocated media KW - social media KW - legacies of slaveownership KW - Heritage and Cultural Conservation KW - Performance and Installation Art N2 - An interaction with the Sweet Waters social media trails: Running time: 6.16Screen capture and spoken word. Sweet Waters: sense-ing legacies of slave-ownership in Bath and along the River Avon (2016-17) An eight-day cycle of walks and creative dialogues, walking-with cycles of water, life and trade. Presented as part of the Festival of Nature and Bath Festival Fringe 2017, Sweet Waters sought to reveal reluctant heritage in the UNESCO designated World Heritage Site of Bath (UK) through attending to the legacies of slave-ownership in a city and region where those legacies have been obscured and disregarded. The cycle concluded with an installation, Sweet Waters: Soundings. Maps screen-captured in this video include mapped routes from the Social Hiking website, used here with attribution: /http://www.shareyouradventure.com/. ER - TY - DATA T1 - Honouring Esther: Esther Brunstein audio statement on 70th anniversary of liberation of Belsen PY - 2020/06/16 AU - Richard S. White UR - https://data.bathspa.ac.uk/articles/media/Honouring_Esther_Esther_Brunstein_audio_statement_on_70th_anniversary_of_liberation_of_Belsen/12005649 DO - 10.17870/bathspa.12005649 L4 - https://ndownloader.figshare.com/files/22055664 KW - Anne Frank KW - Belsen KW - Heritage and Cultural Conservation KW - Performance and Installation Art N2 - Statement released to social media recorded by Esther Brunstein at the end of the Honouring Esther walk in Somerset, April 2015. The statement had been arranged for the Anne Frank Center in New York and was distributed world wide using Twitter and Soundcloud. ER - TY - DATA T1 - Honouring Esther: installation film Belsen Ballroom PY - 2020/06/16 AU - Richard S. White UR - https://data.bathspa.ac.uk/articles/media/Honouring_Esther_installation_film_Belsen_Ballroom/12005640 DO - 10.17870/bathspa.12005640 L4 - https://ndownloader.figshare.com/files/22055655 KW - walking arts KW - holocaust KW - installation KW - Heritage and Cultural Conservation KW - Performance and Installation Art N2 - Installation film 3.18The film was made using field footage and social media contributed by the walkers. This film primarily focusses on the experience in Germany, the actual ballroom being the large concert hall space on the Bergen Belsen camp that was used as a hospital after it was liberated.The films is intended to be shown in a randomised loop with other Honouring Esther films and projected on uneven walls and distorting surfaces.Honouring Esther: Two walks each lasting two days in Somerset, England and Lower Saxony, Germany. The line of a Nazi Death March transposed, returned and retraced, working with the testimony of human rights activist and Holocaust survivor, Esther Brunstein. The walks took place as Germany publicly welcomed refugees crossing the fields of Eastern Europe. Devised, curated and hosted with artist, Lorna Brunstein, Esther’s daughter. Both cycles of walks ended with an exhibition/installation. ER - TY - DATA T1 - Honouring Esther installation ambience for documentation space PY - 2020/06/16 AU - Richard S. White UR - https://data.bathspa.ac.uk/articles/media/Honouring_Esther_installation_ambience_for_documentation_space/12005559 DO - 10.17870/bathspa.12005559 L4 - https://ndownloader.figshare.com/files/22055577 KW - Field Recordings KW - walking arts KW - installation KW - Heritage and Cultural Conservation KW - Performance and Installation Art N2 - Ambient sound generated from field recordings of the Honouring Esther walks in Somerset (2015) produced for the installation at 44AD Art Space, Bath. Used in the documentation space. Running time 8.22.Honouring Esther: Two walks each lasting two days in Somerset, England and Lower Saxony, Germany. The line of a Nazi Death March transposed, returned and retraced, working with the testimony of human rights activist and Holocaust survivor, Esther Brunstein. The walks took place as Germany publicly welcomed refugees crossing the fields of Eastern Europe. Devised, curated and hosted with artist, Lorna Brunstein, Esther’s daughter. Both cycles of walks ended with an exhibition/installation. ER - TY - DATA T1 - Honouring Esther: an 'undisciplined documentary' of the project 2017 PY - 2020/06/16 AU - Richard S. White UR - https://data.bathspa.ac.uk/articles/media/Honouring_Esther_an_undisciplined_documentary_of_the_project_2017/12005565 DO - 10.17870/bathspa.12005565.v1 L4 - https://ndownloader.figshare.com/files/22055589 KW - walking arts KW - holocaust KW - installation KW - documentary film KW - Heritage and Cultural Conservation KW - Performance and Installation Art N2 - Preparing media from a range of sources including field recordings and social media provided by walkers layered linear accounts kept surfacing, re-emerging and then loosing themselves in entanglements. This is a sample of moments in the edit suite when a coherence temporarily emerged and perhaps offers something of an account of the project in places.running time 34.05Honouring Esther: Two walks each lasting two days in Somerset, England and Lower Saxony, Germany. The line of a Nazi Death March transposed, returned and retraced, working with the testimony of human rights activist and Holocaust survivor, Esther Brunstein. The walks took place as Germany publicly welcomed refugees crossing the fields of Eastern Europe. Devised, curated and hosted with artist, Lorna Brunstein, Esther’s daughter. Both cycles of walks ended with an exhibition/installation. ER - TY - DATA T1 - Honouring Esther: installatiion film, Joys of the Forest PY - 2020/06/16 AU - Richard S. White UR - https://data.bathspa.ac.uk/articles/media/Honouring_Esther_installatiion_film_Joys_of_the_Forest/12005622 DO - 10.17870/bathspa.12005622 L4 - https://ndownloader.figshare.com/files/22055634 KW - walking arts KW - installation KW - film KW - holocaust KW - Heritage and Cultural Conservation KW - Performance and Installation Art N2 - Installation film, running time 4.01The film was made using field footage and social media contributed by the walkers. This film primarily focusses on the experience in Germany, 'Joys of the Forest' is the translation of Waldeslust the Nazi's name of the slave labour camp where Esther was held and from which she was forced to walk to the concentration camp at Bergen-BelsenThe films is intended to be shown in a randomised loop with other Honouring Esther films and projected on uneven walls and distorting surfaces.Honouring Esther: Two walks each lasting two days in Somerset, England and Lower Saxony, Germany. The line of a Nazi Death March transposed, returned and retraced, working with the testimony of human rights activist and Holocaust survivor, Esther Brunstein. The walks took place as Germany publicly welcomed refugees crossing the fields of Eastern Europe. Devised, curated and hosted with artist, Lorna Brunstein, Esther’s daughter. Both cycles of walks ended with an exhibition/installation. ER - TY - DATA T1 - Honouring Esther sample intervention media, Justice PY - 2020/06/16 AU - Richard S. White UR - https://data.bathspa.ac.uk/articles/media/Honouring_Esther_sample_intervention_media_Justice/12005634 DO - 10.17870/bathspa.12005634 L4 - https://ndownloader.figshare.com/files/22055646 KW - testimony KW - holocaust KW - Heritage and Cultural Conservation KW - Performance and Installation Art N2 - Clip from testimony provided by Esther Brunstein used as stimulus in one of the interventions 'stations' on the walking project.Honouring Esther: Two walks each lasting two days in Somerset, England and Lower Saxony, Germany. The line of a Nazi Death March transposed, returned and retraced, working with the testimony of human rights activist and Holocaust survivor, Esther Brunstein. The walks took place as Germany publicly welcomed refugees crossing the fields of Eastern Europe. Devised, curated and hosted with artist, Lorna Brunstein, Esther’s daughter. Both cycles of walks ended with an exhibition/installation. ER - TY - DATA T1 - Honouring Esther film for installation: Frome to Belsen PY - 2020/06/16 AU - Richard S. White UR - https://data.bathspa.ac.uk/articles/media/Honouring_Esther_film_for_installation_Frome_to_Belsen/12005547 DO - 10.17870/bathspa.12005547 L4 - https://ndownloader.figshare.com/files/22055556 KW - walking arts KW - installation KW - holocaust KW - death march KW - Heritage and Cultural Conservation KW - Performance and Installation Art N2 - Short film for installation layering media from the Honouring Esther walk in Somerset with the walk in Germany.Installation film. Running time 3.44The film was made using field footage and social media contributed by the walkers.It is intended to be shown in a randomised loop with other Honouring Esther films and projected on uneven walls and distorting surfaces.Honouring Esther: Two walks each lasting two days in Somerset, England and Lower Saxony, Germany. The line of a Nazi Death March transposed, returned and retraced, working with the testimony of human rights activist and Holocaust survivor, Esther Brunstein. The walks took place as Germany publicly welcomed refugees crossing the fields of Eastern Europe. Devised, curated and hosted with artist, Lorna Brunstein, Esther’s daughter. Both cycles of walks ended with an exhibition/installation. ER - TY - DATA T1 - Honouring Esther installation documentation clip PY - 2020/06/16 AU - Richard S. White UR - https://data.bathspa.ac.uk/articles/media/Honouring_Esther_installation_documentation_clip/12005538 DO - 10.17870/bathspa.12005538 L4 - https://ndownloader.figshare.com/files/22055547 KW - installation art KW - Heritage and Cultural Conservation KW - Performance and Installation Art N2 - Sample documentation of multi-media installation from the Honouring Esther walks at Corsham Court 2019.Honouring Esther: Two walks each lasting two days in Somerset, England and Lower Saxony, Germany. The line of a Nazi Death March transposed, returned and retraced, working with the testimony of human rights activist and Holocaust survivor, Esther Brunstein. The walks took place as Germany publicly welcomed refugees crossing the fields of Eastern Europe. Devised, curated and hosted with artist, Lorna Brunstein, Esther’s daughter. Both cycles of walks ended with an exhibition/installation. ER - TY - DATA T1 - Honouring Esther project flyer PY - 2020/06/16 AU - Richard S. White UR - https://data.bathspa.ac.uk/articles/preprint/Honouring_Esther_project_flyer/12005535 DO - 10.17870/bathspa.12005535 L4 - https://ndownloader.figshare.com/files/22055511 KW - walking arts KW - holocaust KW - participation KW - Heritage and Cultural Conservation KW - Performance and Installation Art N2 - Promotional flyer for Honouring Esther project.Promotional text and credits.Centre spread show entwined routes and the titles of the ten themed interventions, the 'stations' of the project.Honouring Esther: Two walks each lasting two days in Somerset, England and Lower Saxony, Germany. The line of a Nazi Death March transposed, returned and retraced, working with the testimony of human rights activist and Holocaust survivor, Esther Brunstein. The walks took place as Germany publicly welcomed refugees crossing the fields of Eastern Europe. Devised, curated and hosted with artist, Lorna Brunstein, Esther’s daughter. Both cycles of walks ended with an exhibition/installation. ER - TY - DATA T1 - Honouring Esther additional installation media PY - 2020/06/16 AU - Richard S. White UR - https://data.bathspa.ac.uk/articles/media/Honouring_Esther_additional_installation_media/11990385 DO - 10.17870/bathspa.11990385.v1 L4 - https://ndownloader.figshare.com/files/22022232 L4 - https://ndownloader.figshare.com/files/22022235 L4 - https://ndownloader.figshare.com/files/22022244 L4 - https://ndownloader.figshare.com/files/22022247 L4 - https://ndownloader.figshare.com/files/22022250 L4 - https://ndownloader.figshare.com/files/22022265 L4 - https://ndownloader.figshare.com/files/22022271 KW - walking arts KW - heritage KW - holocaust KW - Performance and Installation Art KW - Heritage and Cultural Conservation N2 - Honouring Esther 2015-17This item contains additional installation media not linked into the thesis as separate files:This item: short films made for installation using field recordings, archive and participants' social media from the Somerset UK walks and/or the Lower Saxony, Germany walks. The media was made for installations at the 44AD Gallery in Bath after the Somerset walks (2015) and developed with new content for the 2017 show after retracing the actual route of the death march to Belsen Esther Brunstein survived. The media was intended to be show on a distorting surface creating further folds and pleats in the viewing experience. Some of the items use assets gathered in Somerset 2015, some integrate sequences from these with new material gathered in Germany and some are solely from the walks in Germany. Video is compressed, higher resolution files can be seen here: https://vimeo.com/album/3448570Project Outline: The route of a Nazi Death March traced and transposed to Somerset, returned and re-traced in Lower Saxony, Germany. Experimentation with media and juxtaposed registers of walking forms part of Richard White’s investigation of walking art as social justice intervention. Social media. Curated media. Somatic activity. Project website: https://forcedwalks.wordpress.com/Aggregated Social media trails via Social HikingUK http://www.shareyouradventure.com/map/67290/walknowlive/Honouring-Esther-Somerset-2015Germany http://www.shareyouradventure.com/map/62660/walknowlive/Honouring-Esther-Germany-2016 ER - TY - DATA T1 - Honouring Esther and Sweet Waters projects: Documentation of media installations and closing events for both projects including the PhD show, '(dis)enchantments and perambulations' at Corsham Court, 2019 PY - 2020/06/16 AU - Richard S. White UR - https://data.bathspa.ac.uk/articles/dataset/Honouring_Esther_and_Sweet_Waters_projects_Documentation_of_media_installations_and_closing_events_for_both_projects_including_the_PhD_show_dis_enchantments_and_perambulations_at_Corsham_Court_2019/12003066 DO - 10.17870/bathspa.12003066 L4 - https://ndownloader.figshare.com/files/22051365 L4 - https://ndownloader.figshare.com/files/22051368 L4 - https://ndownloader.figshare.com/files/22051371 L4 - https://ndownloader.figshare.com/files/22051377 L4 - https://ndownloader.figshare.com/files/22051380 L4 - https://ndownloader.figshare.com/files/22051383 L4 - https://ndownloader.figshare.com/files/22051386 L4 - https://ndownloader.figshare.com/files/22051389 L4 - https://ndownloader.figshare.com/files/22051392 L4 - https://ndownloader.figshare.com/files/22051398 L4 - https://ndownloader.figshare.com/files/22051401 L4 - https://ndownloader.figshare.com/files/22051404 L4 - https://ndownloader.figshare.com/files/22051410 L4 - https://ndownloader.figshare.com/files/22051413 L4 - https://ndownloader.figshare.com/files/22051416 L4 - https://ndownloader.figshare.com/files/22051419 L4 - https://ndownloader.figshare.com/files/22051425 L4 - https://ndownloader.figshare.com/files/22051428 L4 - https://ndownloader.figshare.com/files/22051431 L4 - https://ndownloader.figshare.com/files/22051434 L4 - https://ndownloader.figshare.com/files/22051437 L4 - https://ndownloader.figshare.com/files/22051962 L4 - https://ndownloader.figshare.com/files/22246536 L4 - https://ndownloader.figshare.com/files/22248852 L4 - https://ndownloader.figshare.com/files/22295823 L4 - https://ndownloader.figshare.com/files/22295829 L4 - https://ndownloader.figshare.com/files/22296039 L4 - https://ndownloader.figshare.com/files/22296042 L4 - https://ndownloader.figshare.com/files/22296045 L4 - https://ndownloader.figshare.com/files/22296072 L4 - https://ndownloader.figshare.com/files/22296075 L4 - https://ndownloader.figshare.com/files/22296078 L4 - https://ndownloader.figshare.com/files/22296081 L4 - https://ndownloader.figshare.com/files/22296084 L4 - https://ndownloader.figshare.com/files/22296087 L4 - https://ndownloader.figshare.com/files/22296099 L4 - https://ndownloader.figshare.com/files/22296102 KW - walking arts KW - heritage KW - installation art KW - Heritage and Cultural Conservation KW - Performance and Installation Art N2 - Documentary media and video walk-throughs for the following events:Honouring Esther 2015 at 44AD Art Space, BathHonouring Esther 2017 at 44AD Art Space, BathSweet Waters, Soundings 2017at Saltford Brass Mill'(dis)enchantments and perambulations' at Corsham Court, 2019The Corsham installation showed work from the two projects in the cellars of this English Country House.Honouring EstherThe two exhibitions for Honouring Esther were held at 44AD ArtsSpace, Bath, one in July 2015 following the walk in Somerset and one in January 2017 following the 2016 walk in Germany. The second installation closed the project.Project website: https://forcedwalks.wordpress.com/Aggregated Social media trails via Social Hiking:UK http://www.shareyouradventure.com/map/67290/walknowlive/Honouring-Esther-Somerset-2015Germany http://www.shareyouradventure.com/map/62660/walknowlive/Honouring-Esther-Germany-2016Sweet Waters:The Sweet Waters 2017 project closed with an installation at Satlford Brass Mill. Projections and soundscapes ere inserted and projected onto the heritage orientations and fabric of the former brass millwebsite/blog: http://www.walknowtracks.co.uk/sweet-waters.htmlAggregated Social media trail via Social Hikinghttp://www.shareyouradventure.com/map/73087/walknowlive/Sweet-Waters-June17Vimeo folder: https://vimeo.com/album/5488933 ER - TY - DATA T1 - Sweet Waters installation film Cloudwater PY - 2020/06/16 AU - Richard S. White UR - https://data.bathspa.ac.uk/articles/media/Sweet_Waters_installation_film_Cloudwater/12110844 DO - 10.17870/bathspa.12110844 L4 - https://ndownloader.figshare.com/files/22271046 KW - walking arts KW - heritage KW - Slave trade KW - performance KW - Heritage and Cultural Conservation KW - Performance and Installation Art N2 - Short installation film 10.35The film was made using field footage and social media contributed by walkers. It is intended to be shown in a randomised loop with other Sweet Waters films and projected on uneven walls and distorting surfaces. Sweet Waters: sense-ing legacies of slave-ownership in Bath and along the River Avon (2016-17) An eight-day cycle of walks and creative dialogues, walking-with cycles of water, life and trade. Presented as part of the Festival of Nature and Bath Festival Fringe 2017, Sweet Waters sought to reveal reluctant heritage in the UNESCO designated World Heritage Site of Bath (UK) through attending to the legacies of slave-ownership in a city and region where those legacies have been obscured and disregarded. The cycle concluded with an installation, Sweet Waters: Soundings. ER -